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Taylor Custom GC 12-Fret Master Grade Koa Top “Catch #20” (116)

Master grade koa, effortless Grand Concert 12-fret comfort, and V-Class sustain in a rare Taylor Catch guitar built to be a lifelong heirloom.

Taylor Custom GC 12-Fret Master Grade Koa Top “Catch #20” (116)

Master grade koa, effortless Grand Concert 12-fret comfort, and V-Class sustain in a rare Taylor Catch guitar built to be a lifelong heirloom.

$9,999.00

0% for 36-48 months available

Quick Specs

  • Custom Grand Concert 12-Fret body for ultra-comfortable small-body feel
  • Master Grade koa top with AA-grade koa back and sides, shaded edgeburst finish
  • West African ebony fingerboard and bridge with Taylor Nouveau inlays
  • V-Class bracing for bigger sustain, clarity, and truer intonation
  • Slotted headstock with nickel tuners for a unique tension and response
  • Short 24 7/8" scale length for softer string tension and easy feel
  • Limited Taylor Catch #20 New Old Stock build, priced below current replacement cost

FREE Player-Perfect™ Pro Setup ($100+ Value)

Our techs are all seasoned players, so they dial in every guitar like it’s going into their own rig—perfect intonation, action set exactly right, ready to rip from the first note.

Want it YOUR way? Tell us at checkout: string gauge, action height, whatever you need. We’ll nail it before shipping.

Inspected 3X Before Shipping

Free 1-4 Day Shipping

72-Hour Love-It Guarantee

Ships Today if Ordered Before 3PM CST
00h 00m 00s

Out of stock

Master Grade Koa, Taylor’s Secret-Weapon 12-Fret

This Taylor Custom GC 12-Fret is one of those guitars you buy once and keep in the family. Master grade koa everywhere, V-Class sustain, and that ultra-comfortable Grand Concert 12-fret feel come together in a rare Catch #20 build that feels alive the second you touch it.

On top of that, it is New Old Stock. If Taylor built this exact guitar today, you would be staring at a price tag closer to $12,455. Instead, you are getting a NAMM-level showpiece that plays like a dream and already has future-heirloom written all over it.

Master Grade Koa That Looks And Sounds Ridiculous

The top, back, and sides are all master grade koa, which is the top shelf above AA and AAA. You get deep flame, three-dimensional grain, and that striking ribbon of lighter sapwood down the center that makes you want to just leave it on a stand and stare at it between songs.

The shaded edgeburst finish runs across the entire guitar, neck, and headstock. It is not just pretty; it enhances the figure and gives the whole instrument a rich, unified look that feels more like custom furniture than factory guitar. The pale hard rock maple binding frames all that koa like a picture, while the chamfered edges keep it comfy against your picking arm.

Grand Concert 12-Fret: Effortless Feel, Huge Reward

Taylor’s Grand Concert is their smallest full-size body, and in the 12-fret layout it is just ridiculously comfortable. The neck joins the body earlier, which brings your left hand a little closer to you and makes this guitar the one you reach for on the couch, in the writing room, or on a long set when a dreadnought feels like work.

The 24 7/8″ scale length drops the string tension compared to a typical 25 1/2″ acoustic. If you come from the electric world, think of the difference between the usual F-style solidbody and a certain G-style semi-hollow. Chords feel softer under the fingers, stretches are easier, and vibrato feels more vocal.

The slotted headstock changes the break angle over the nut, which subtly shifts the tension and response under your fretting hand. Paired with the shorter scale, it gives this guitar a slightly elastic, bouncy feel that fingerstyle players get addicted to.

V-Class Design For Sustain, Intonation, And Bloom

Inside the box you get Taylor’s V-Class bracing, and that is not marketing fluff. It is a real redesign of how the top moves. Notes ring longer, chords line up in tune all the way up the neck, and you get a balance of volume and control that makes this a killer recording and performance guitar.

Light fingerstyle playing wakes up the top with almost no effort. Dig in with a flatpick and you get focus instead of boom, with enough low-end support to carry a solo set without stepping on your vocal. Real talk: once you get used to this level of sustain and intonation, going back to a traditional X-braced acoustic can feel like a step backward.

Nouveau Details And Tasteful Appointments

West African ebony handles both the fingerboard and bridge, which keeps the feel fast and smooth while giving the frets a rock-solid home. It is not just practical either. The Taylor Nouveau inlay pattern shows up on the fretboard, peghead, and even the bridge, tying the whole instrument together with a classy, understated theme.

A single-ring rosette with a custom boxwood, koa, and boxwood design echoes the top wood and binding. Slot-head nickel tuners look vintage but feel precise, rounding out a hardware package that is all about reliability without stealing the spotlight from that koa.

Catch #20: Taylor’s NAMM Showpiece, New Old Stock Value

This guitar is part of Taylor’s Catch series, a tiny run of custom builds created for their top dealers around NAMM. These are the guitars where Taylor shows off what they can really do in terms of woods, design, and detail, then they move on. When they say they only build this many for the show and that is it, they mean it.

This one is Catch #20, and it is New Old Stock. It has lived its life pampered in the shop, not hammered on the road. To recreate it at today’s pricing would put you up around $12,455, which makes the current price a serious opportunity for somebody who wants a once-in-a-lifetime Taylor without paying tomorrow’s money.

Set Up To Play, Ready To Ship

This Custom GC 12-Fret is in our Evansville, Indiana shop right now, fully inspected and dialed in with a complete Player-Perfect setup. Tell us your preferred string gauge and action at checkout and we will tweak it before it leaves so it feels like home on day one.

When you are ready, we will pack it like it is our own and get it out the door fast with insured shipping. Questions about this guitar or how it compares to others you are considering? Call (888) 794-8482 and talk to a real player on our staff.

Anatomy of a Tone Machine

Anatomy of a Tone Machine

Perfect for: Fingerstyle & Modern Acoustic • Singer-Songwriters • Worship & CCM • Studio & Session Work • Intimate Solo Performances

Tone

  • Koa voice with shimmering highs, warm focused mids, and controlled low end
  • V-Class bracing delivers piano-like sustain and chords that stay in tune up the neck
  • Highly responsive to a light touch yet blooms when you dig in with a pick
  • Exceptional note separation that makes complex chords and voicings stay clear
  • Records beautifully with natural compression and mix-ready balance

Playing Feel

  • Compact Grand Concert body that sits comfortably whether you are onstage or on the couch
  • 12-fret neck join brings everything closer for a relaxed, ergonomic left-hand reach
  • Short 24 7/8" scale keeps tension easy for fingerstyle runs and wide chord stretches
  • Slotted headstock and lower tension give a slightly elastic, expressive feel under the fingers
  • Chamfered body edges keep your picking arm comfortable through long sessions

Versatility

  • Excels at fingerstyle, modern worship, and singer-songwriter textures
  • Handles flatpicking and light to medium strumming without getting boomy
  • Dynamic range goes from whisper-quiet nuance to full, open chords
  • Perfect as a high-end couch guitar that also shines on stage and in the studio

Complete Technical Specs

Body Specs

TypeAcoustic Guitar
ShapeCustom Grand Concert 12-Fret
TopMaster Grade Koa
Back and SidesAA-Grade Koa
BracingV-Class Design
BindingPale non-figured hard rock maple (.085")
Body EdgesChamfered for comfort
FinishShaded Edgeburst on entire guitar and neck
CutawayNo cutaway
RosetteSingle ring, bound soundhole with custom boxwood and koa design
ArmrestNone
SeriesCatch #20 Limited

Neck Specs

Construction12-fret neck joint
HeadstockSlotted headstock design
Neck WoodNot specified (finished in shaded edgeburst)

Fingerboard Specs

MaterialWest African Ebony
InlaysTaylor Nouveau design

Electronics Specs

ElectronicsNot specified (appears to be a fully acoustic model)

Hardware Specs

BridgeWest African ebony with Nouveau inlay
TunersSlot-head nickel tuners
Peghead InlayNouveau design

Measurements

Scale Length24 7/8"
Strings6
The Lowdown

The Lowdown

We get it. Buying a guitar you haven’t played is a big decision. You need to know it’s going to feel right, sound right, and inspire you the second you open the case. We put together the questions we’d be asking if we were in your shoes—the real-world stuff that specs alone can’t answer. If there’s anything else you’re wondering about, just give us a call.

Master Grade koa is the top of the heap. Koa is typically graded through AA and AAA before you even hit master, which is where you find the most dramatic flame, depth, and consistency. On this guitar the top, back, and sides are all master grade, with that pale sapwood ribbon down the center that looks like fine furniture. Tonally you get shimmering highs, rich mids, and a focused low end that only gets sweeter the more you play it.
A Grand Concert is already Taylor’s most comfortable full-size body. Move it to a 12-fret design and everything shifts closer to you. The bridge sits more in the center of the top, the neck join is closer to your body, and the 24 7/8″ scale drops the tension. The result is a softer, more relaxed playing feel that is incredibly inviting for long sessions, especially if you do a lot of fingerstyle or intricate chord work.
This Custom GC 12-Fret is born for fingerstyle and nuanced playing. The smaller body, shorter scale, and V-Class bracing respond to the lightest touch with surprising volume and sustain. That said, it still handles flatpicking and light to medium strumming beautifully, with focused lows that do not get muddy. If you live on heavy strumming all night long, a bigger body might move more air, but for most musical situations this thing is a tone machine.
Taylor’s Catch guitars are ultra-limited customs built for their top dealers around the NAMM show. The name comes from the original Catch Restaurant gatherings, and the concept stuck even after the venue changed. These runs are small, highly curated, and not repeated. This one is part of Catch #20, so when it is gone, the exact spec is not coming back. Combine that with its New Old Stock status and current price, and you have a rare chance to grab a true collector-level Taylor that still begs to be played.
Of course. Every guitar gets our full Player-Perfect™ setup, but tell us your preferred string gauge and action at checkout, and we’ll dial it in exactly to your spec before it leaves the shop.
This guitar is covered by our 72-Hour Love-It Guarantee. If you’re not completely inspired by it, just let us know. We’ll make it right.
If you order before 3 PM CST on a weekday, it ships the same day. We’ll get it into your hands fast with free, insured 2-3 day shipping.
Call us at (888) 794-8482. You’ll talk to a real musician who can answer anything you need to know.
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Call us and you get a fellow musician, not a script. We'll help you compare neck profiles, talk tone, and find the right guitar for you—even if it's not this one. Our reputation is built on honest conversation.

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Family-owned since 1976, we stand behind everything we sell. That's why we have a 72-Hour Love-It Guarantee. If you're not inspired, send it back on our dime for a full refund. Your satisfaction is our legacy.

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